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May 12th, 2026, 3:13pm 
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   Author  Topic: Principles for editing ancient scores  (Read 681 times)
PaulL
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Principles for editing ancient scores  
« on: Sep 30th, 2022, 10:33pm »
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I am working on producing HA scores of Gibbons' First Set of Madrigals and Motets.  I have to say that this has been an interesting exercise.  Gibbons wrote these pieces in parts, using black notes.  (The printed edition I am working from was printed in 1612.)  Figuring out the parts and integrating them into a single score is a lot like trying to work a crossword puzzle.
 
Figuring out the notes, rests, and their durations has not been difficult, and there are on-line resources that answered a couple of questions I had about that.  There are, however, a couple of spots where I wish to indicate emendations I have decided to make, and I am not quite sure how they should be indicated in the score.  I'd like to get it right, because I am considering sharing the files on IMSLP.
 
Some of my emendations are corrections of obvious errors, that I don't feel right about correcting "silently," and then there are a couple of spots where I feel the piece in question would be more euphonious if I applied or omitted an accidental to a certain note.  The question is what liberties an editor can legitimately take, and what the principles are by which I should be guided.  And also, how such emendations are customarily indicated in the score.
 
Can anyone recommend an on-line reference?  My searches have not come up with anything useful.  Or failing a link, a book that doesn't cost too much?  (I can cope with French or English, and could even make my way through a text in Spanish, if necessary.)
 
Mille mercis en avance.
 
« Last Edit: Sep 30th, 2022, 10:34pm by PaulL » offline

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Paul Littlefield, retired Church musician

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